When: Sunday, March 28, 2010 5PM

Where: Private Residence in Walnut Creek. Email for directions: info@circleofdionysos.org

According to various sources, the Latin term Hilaria refers to any general period of rejoicing and celebration. However, this time of year was also the period of the Roman festival Hilaria Matris Deum, a celebration dedicated to the goddess Cybele and her consort/child Attis. The first day of the celebration was held the day after the Spring Equinox, and Wikipedia lists the tentative schedule of events for this festival as follows:

“15 March. ‘The Reed Entered’. The reeds may refer to the river bank where Attis was exposed as a child and rescued by Cybele. A nine day period of abstinence from bread, pomegranates, quinces, pork, fish and probably wine began. Only milk was permitted as a drink.

22 March. ‘The Tree Entered’ (Arbor intrat). A pine tree from a wood sacred to Cybele is felled following the sacrifice of a ram at its roots. The tree was carried in procession through the city as if in a funeral to the Temple of Cybele on the Palatine Hill.

23 March. A day of mourning.

24 March. ‘The Day of Blood’ (Sanguis). Frenzied rites including scourging and whipping. Castration rituals would take place on this day. the tree is symbolicaly buried.

25 March. ‘The Day of Joy’ (Hilaria) celebrating the resurrection of Attis. This was the hilaria proper (as opposed to the mournful tone of the previous days).

26 March. A day of rest.

27 March. ‘The Washing’ (Lavatio). Added by Marcus Aurelius

28 March. Possible ceremony at the Vatican sanctuary.”

Now, I can’t imagine that *any* of that sounds like a familiar modern religious festival that may be starting on March 28th, can you?

According to Greek Myth, Cybele was the Goddess responsible for rescuing Dionysos as a youth when Hera discovered his presence and drove him mad.  Cybele then accepted Dionysos as an acolyte and taught him the rites of ecstasy that define much of his worship.  Some scholars (notably Arthur Evans) have suggested that Cybele and Semele were regional names for the same Deity; the myth of Cybele and Attis seems to be in many ways a funhouse mirror image of that of Dionysos and Semele in which the role of “sacrificed and resurrected deity” is reversed.

Our interest in the worship of Cybele extends beyond Hir mythic ties to Dionysos, however.  Cybele was also patron Deity to one the best known “gender/sexually variant” priesthoods in the ancient world–The Galli.  We will honor both Cybele and our spiritual ancestors in this rite, but also acknowledge the shared root of Hilaria and Hilarity, so bring a joke to share and be ready to explore some of spirituality’s burlesque elements!

Our Hilaria rite will be held at a private residence in Walnut Creek, so if you wish to attend this ritual please email an RSVP to info@circleofdionysos.org for the location of and directions to this ritual. We will also include a potluck meal as part of the evening’s festivities, so please bring food and drink to share.

Following this ritual, those who are interested in working further with us will be invited to join in a New Moon ritual study cycle starting with an exploration of the Queer Archetypes found in Christian de la Huerta’s book Coming Out Spiritually. The first meeting of this cycle will be held on Friday April 16th and will focus on the archetype of the Sacred Clown. Again, since these rituals/classes will be held at private residences, please RSVP to the address above for specifics about location and time.

The Circle of Dionysos is proud to present our first large public “flash mob” ritual for 2010 for our Beltane offering.

We intend to honor Dolores Park with this rite because it is one of the main outdoor areas utilized by the GLBTQ community in San Francisco for personal and communal gatherings.

The park is also facing a major renovation in 2011 that may shut the park down for more than a year. Because of this we want to consecrate this land to joy and play for the coming year. We also hope to influence the powers that be through our magic to not shut down the entire park at once for the renovations, but to work in sections and leave portions of the park available for use.

Above all else this is a ritual of PLAY. We face a lot of seriousness in our lives, individually and collectively. It is important to take moments to PLAY. We’re happy and overjoyed to be able to provide a place for you to play.

To that end know that game playing is a part of the rite. These games will span the gambit from physical to mental and at the end of the ritual someone will emerge as May King (any one of any or no gender can be May King)!

The ritual begins promptly at 1pm. We will gather in the lower portion of the park off of 18th Street. You will have no problem identifying us. We will be a collection of brightly dressed Fools and Queens. Please feel encouraged to come dressed in your most jovial and brightly colored costuming as well. Also feel free to bring picnic materials and make a day out of it. Many of us will be heading over to How Weird Street Faire following.

Happy Beltane Everyone, and do come PLAY and consecrate some land with us. It will be a blast!

What: Guerrilla Maypole – A Ritual of Play in Honor of Dolores Park
When: Sunday, May 9, 2010. 1pm
Where: Dolores Park, San Francisco

For More Information: info@circleofdionysos.org

Donations appreciated but not expected.

I believe that I would like to include all of those aspects in future posts, however I believe that the emphasis of this work is to be more true to the title of the blog: Wrestling With the Wig. I want to capture my struggle as a male identified priestess of goddesses. What does this mean? Who am I? Are there other’s like me?

So starting right there what does that mean? I was born biologically as what our culture identifies as male, and I identify as a man. I use the word priestess because I feel that it more accurately reflects the way that I work with goddesses. The models that I see for priests of goddesses have more of a consort kind of feel. The male priest dutifully worships goddesses as lover and/or as mother. My connection to goddesses feels more akin to being a receptacle for goddesses. This is why I feel more called to consider myself a priestess than a priest. Of course I am stripping away the bio gendered association of those words in my claiming.

So how did I get to this place, and where am I going?

I honestly believe that my journey started pre-birth. I don’t know if there is such a thing as reincarnation, but I have had a strong vision of what feels like a past life. I also have a strong sense of other past lives. In most of these past lives I have been biologically female. Even during my mother’s pregnancy she believed that I would be born a girl. This was in the days before figuring out the gender of a child pre-birth. She felt so sure that I would be born a girl that she only chose a “girl’s” name for me. The name she chose was her maiden name, Starr. Starr became my first drag name and my first magical working name.

I grew up queer in many ways. I knew at an early age that I preferred boys to girls in terms of attraction, and that I preferred girls to boys in terms of familiarity. I had virtually no interest in the things of men. When my parents would leave the house I would wrap my grandmother’s afghan around me, use a t-shirt to mimic long hair, slip into my mother’s high heels and parade around the house. Our hallway provided an excellent runway. The thing that is important to note here is that I never felt like I was supposed to be a girl. In fact my longest running fantasy about gender was that I wanted to be both. I wanted to be a man and to be a woman. I wanted to be able to switch at will.

Eventually I conformed to the male standard that was being portrayed by my community. I did this out of fear. I began to associate all this queerness with homosexuality and I knew that was wrong. It was a very clear message.

After I came out I thought that I had found freedom to express who I was, but I found that my dabbling in drag was still not supported by my community at large. I was told that I had to think about not freaking out other people if I allowed my nails to grow. I was even told within the drag community that I wasn’t pretty. At that point in my life I wasn’t strong enough emotionally and egoically to stand up for myself.

My gender queerness went underground for many, many years. Eventually I would discover the Two Spirits of the Indigenous Americans and other similar folk from traditions around the world. Finally I felt like I made sense in the world. I felt like there was a purpose for me. By this time I had also started to discover a spiritual path that really made sense for me which was neopaganism. The Divine or Spirit had revealed itself to me in so many different ways that there was no single religious tradition where I felt like I fit. It is only the loose umbrella that neopaganism is where I have found spiritual community. However with all this freedom my alternative gender expression was still repressed. I actually used to be afraid of the word transgender. I thought “God, I am already so different. Do I have to be that too?”

It is really over the last year that I have come to even more clarity about my gender and its expression. Again I identify as male. There is no feeling inside of me that I am in the wrong body or that I am really a woman. In this sense I am not transsexual, but I do feel gender queer.

I would say the first opening to expressing my gender variance began when I dedicated my dissertation research to Ardhanarishwara. Ardhanarishwara is a deity that is composed of Shiva and Shakti. Ardhanarishwara is the Divine Androgyne. I felt and still feel a strong kinship to that image.

Another opening came from the work my partner and I were doing to create a queer magical circle. My partner conceived of a ritual for a large pagan gathering where we would embody what we call the queerest of the gods. Because I was already working with Ardhanarishwara, I decided that would be the deity I embodied. That work really changed me. I was inspired to begin doing drag again coming out of that work. Part of the desire to do drag was because I wanted to do right by Shakti, the Goddess. I wanted to embody her beauty and strength to the best of my ability.

I also became inspired by an increasing connection with the Sisters of Perpetual Indulgence. In them I saw a celebration of the Divine Feminine through the male vessel. I saw how drag could be done in a way that was androgynous and fiercely beautiful.

Those three inspirations really led to the creation of Andra Jean le Queen who is an avatar of Ardhanarishwara. As she grows into greater power I, Hayden, am also growing in my power. I am finding an expression of self that is deliberate, inspired and very powerful.

Just recently I received an affirmation of the work that I am doing. My partner and I once again attended PanthaCon, the large pagan gathering I alluded to earlier. On Friday night I decided to venture forth into the convention as Andra Jean. At one point I met a lovely man and we exchanged names. He asked if I knew what the word Andra meant in Basque. I didn’t. The name Andra Jean was conceived of as a play on the word androgyne. He proceeded to tell me that it means queen and added that the primary Basque goddess, Mari, is addressed as Andra Mari. That blew me away and affirmed this path for me, and now I want to share my story, my struggles and my wisdom with you.

I know that this blog will probably come across as self-indulgent for some. It is. Expressing myself externally is my primary form of processing my experience. However I hope, I sincerely hope, that my story and my sharing now and in the future will find those that need these words to help set them free to express their own truth. I can’t believe I’m the only one out there working with gender and spirituality in this way.

Until next time I continue to wrestle with the wig.

Much love,

Hayden/Andra Jean

It was that time of year again!  PantheaCon 2010 was held at the Doubletree in San Jose February 12-15th!  Pantheacon is one of if not the largest Pagan Convention in the United States–4 days packed full of rituals, workshops, lectures, concerts, parties, vendors, hospitality suites, and more!  Here’s a quick rundown of what The Circle of Dionysos did at this year’s PCon:

Our big event for PCon this year was the return of Yes They Are! Meeting and Greeting the Queerest of the Gods.  Our production in 2009 was a huge success with lots of people calling it their favorite event of  Con.  Not ones to rest on our laurels however, we brought in a whole new cadre of Deities with new messages for this year!  We were again standing room only, and even though we had to fight to be heard against  the rock concert playing next door, my sense was that our audience poured all of their power into hearing what we had to say.   Certainly as a performer I could see and hear the audience’s emotional investment in the tears on faces during certain scenes and the laughter during the more lighthearted moments.  I’m super proud of our cast and crew of ritualists for stepping up and I’m looking forward to next year and working with the new people who came to us after the ritual and expressed interest in bringing their Deities in!

Our fiscal sponsors The Pagan Alliance hosted a hospitality suite as usual this year, so we participated in their events as well.  We were official co-hosts for Pizzanalia!, the Saturday Evening pizza party from 5:30-7:00PM, and while we weren’t there in any official capacity, you can bet we were around for the Queer Meet and Greet Cocktail Party Friday Night from 8:00 to 9:00 PM.

Our entire board of directors and many other members of the Yes They Are! cast also performed in this year’s Oracles from the Living Tarot on Sunday Night at 7PM.  This made for an intense switchover between productions and led to some very creative connecting of the rituals (including The Fool from OLT being transformed onstage into Dionysos for YTA).  All and all a very magical night of ritual theater–so magical that it claimed my voice for the rest of the night and the next day!

We had an amazing time and are already planning for next year!

Whether you consider your craft to be artistic or magical, it seems as if someone is always telling you to Write Down Your Experiences.  Dream Journals, Rehearsal Journals, Books of Shadows, Books of Scripts—no matter what you call them or claim as their purpose they all amount to the same thing–extra time added to your daily practice spent writing down what you did.  If you’re like me, it’s also the hardest piece of that practice.  When I’m coming out of an amazing ritual/performance/rehearsal, I want to ride that experience’s afterglow.  The last thing I want to do is grab pen and paper!  The same is true when I wake up from an intense dream or have a spark of inspiration–I don’t want to stop and record it, I want to get right to processing.   We live in a short attention span world, and all this journaling is slowing me down.  Why the constant insistence that these books are important?

The first and most obvious answer is also the most cliche–we write things down so that we don’t forget them.  There is no worse experience than having a ritual in which we created this amazing hymn or a rehearsal in which we made a real breakthrough in terms of character or staging  and then not having the ability to recreate that hymn or that breakthrough because we’ve forgotten it and no one wrote it down.  Studies have shown us that writing things down actually has a twofold affect on memory–not only do the written records we’ve produced fill in the gaps in between what we remember, but writing also helps us to remember more in the first place.  Because writing is a physical process that uses 2 of our senses–vision and touch–it invokes our sense memory or physical memory as well as our rational or mental memory, and we are more likely to find a memory if it is stored in multiple parts of ourselves.

Writing is a bridging process between more than just our physical and mental memories.  The second reason that Magi, Mystics, and Artists are so keen on writing things down is that writing as a practice helps bridge between our creative/subconscious selves and our analytic/conscious selves.  Hayden mentioned this when he talked about dream journals–by writing our visions down we can start to track symbols and where/how they appear and thus begin to understand what those symbols mean to us.  Similarly, writing requires us to find a way to quantify and qualify our visceral experiences, to find a way of communicating them and that requires us to break down our right brain/left brain or conscious/subconscious barriers.  This is one reason why I personally find that a real “paper and pen” recording process works best for me in this sort of work–I can continue to communicate via doodles and diagrams when verbal communication methods fail to bridge that gap.  That’s not so easy to do on a word processor.

I’ve known the above reasons for the recording process of my practice for years, but just this past week I discovered a third reason that no one had really made explicit to me before.  I was going through some old papers when I came across a rehearsal journal from a previous show I worked on.  On the very first page I found this written as the initial concept for the performance:

In many of the old religions, GLBT persons held special roles as shaman/seers/etc because they were perceived as taking part of both male and female spirits.  In modern times, however, we are by and large a secular community, ostracized by the religious systems that have come into power in the past millennium, and frequently considered frivolous in our pursuits of pleasure.  But are these pleasures we pursue so frivolous or are they simply a modernization of the rites of old?  Sacred or Profane, who are we?

Sound familiar?  It’s awfully like the concept for Yes They Are! Meeting and Greeting the Queerest of the Gods, last year’s performances of which propelled the Circle of Dionysos into becoming what it is today.  But the concept above was written for a never performed dance piece I was developing back in 2003, before The San Francisco Gay Men’s Open Wiccan Coven, which was my first queer spiritual community, even existed.  The day I found this journal I was feeling depressed and questioning a lot of my decisions over the past year or so.  It was lovely to find such a clear message that yes, I am on the right path!

The following is a poem I wrote back in 2004 when the Ca Supreme Court shut down San Francisco’s Same Sex Marriage offerings and annulled the marriages that happened during the Spring of Love. Reading it reminded me of how joyous and painful that experience was, a mingling of joy and pain that we experienced again in California in 2008. Whether or not each of us believes that the fight for Same Sex Marriage is one that we as individuals would have chosen or we as a community should have chosen, I think it is important to acknowledge the wounding that this battle has caused to our community. Because I want that wounding (not to mention the billion dollar political industry that has grown around Same Sex Marriage initiatives and drained our community dry of resources) to end, I send all of my best wishes and support to those arguing in the current federal court case about the constitutionality of Prop 8.

“I’m sorry”, I cried as I plunged off the side

To ascend the precipice of hell,

“But I know who I am and I know what I want

And you won’t turn me into my shell.”

Pain drives toward excess

And shutters still hide

Though I learned how to act an emotion

Anger and bitterness,

Triumph and Pride

Deeper, wider than the ocean.

It Wasn’t Enough.

I searched through the bars, I played in the clubs,

Drank myself dry, tried all the drugs

But never could I find the peace

That comes with a care that will not be denied,

The love that refuses release.

And then you came–

And when I shrieked my pain into your darkness,

You would not let go.

And when you tried to spare me life’s hardness

I did not except your no.

A moment of hope, a faint ray of light

Quickly covered, plunging again into night.

What my parents obtained

The courts have retained

And the president preaches must always remain–

Recognized love we can’t own.

A mere slip of paper, professional, sleek,

Stating not business but family I seek

Denied–

Else nations will crumble, society fail

Communities crumble, civil life pale

For reasons myriad and unknown.

Four thousand coupkes laid across their altars

Knives to the chest, all movement falters.

Eight thousand hearts fed, still beating, to wolves.

That should teach those who seek similar moves.

And our friends?  Where are they?

Except for a scant few

Who dare to espouse the unpopular view.

“That’s not important,” they say,

“Just a distraction from the big moves at play.”

Bull shit.

Since when is my status as a second class citizen

Any less important than that of any other?

Cause and effect are still kith and kin–

Brother is taught to kill brother.

The shutters once again rise

To buffer against anger’s tide

And I shriek agai into your darkness

As I flip through the new Modern Bride…

So how do you work with dreams? There’s lots of material out there, but what’s the best and most sound approach? Well that’s part of the problem. Even modern science can’t tell us definitively what purpose our dreams serve. How then can we expect a $20 encyclopedia of dreams to really be in anyway definitive. These are your dreams and you have the definitive voice on what your dreams mean.

However there are some ways that are helpful in uncovering what your dream does mean to you. It is helpful to record your dreams. I personally dream so much and so vividly that writing down everyone of my dreams and including all the detail I can remember would take on the characteristics of a job. No thanks! I record only the dreams that, upon waking, have a really strong feeling of importance about them. Those are the dreams that usually contain the big messages for me. You however probably have a different experience with your dreams than I do. I behooves you to really understand how you dream, and recording your dreams helps with that understanding. If you only remember partial dreams or pieces from dreams, then please do record as much as you can. That practice alone will actually help you to begin to remember more about your dreams. Recording your dreams also provides you with the content of your dreams, namely the dream symbols. This is where the sticky wicket of dream interpretation comes into play.

This is actually where having access to collections of interpretations of dream symbols can be helpful. Helpful not in the sense that they can tell you what your dream is about, but they can give you ideas about what your dream symbols might mean. For example I could have a dream where I inherit a red car. I could look those dream symbols (inheritance, red, automobiles) up and determine whether the meaning given actually “feels” right to me. This is an intuitive process. You have to connect with that part of yourself that knows your own truth.

Lastly the technique that I like to use the best is sharing my dreams with other people. I am an external processor which means I need to talk out my experiences of life before I can integrate them. The process of sharing your dreams maybe a frightening one if you are not like me. However there is still great value in fighting that fear and sharing your dreams with others. My dream teacher, Jeremy Taylor (www.jeremytaylor.com), believes that each of us have a particular kind of blinders on when it comes to fully being able to see what our dream symbols mean. In sharing our dreams we open up the symbols to interpretation by others. Scary yes! However when we open our dreams to another person or persons we have the opportunity to see what our dream symbols mean to them. If I tell 5 people my dreams, that gives me 5 possible interpretations to draw my own meaning from. Add to that whatever I’ve gathered from dream resources and I’ve given my psyche a significant vocabulary with which to interpret my dream.

If you do choose to share your dream make sure that you choose people that have a gift for listening to others. Choose people that honor the process of dreaming and honor the fact that you have ultimate say over what the dream means. No one likes a dream bully!

So remember 3 great ways to help you work with your dreams:

• Record your dreams
• Utilize resources
• Share your dreams with trusted others

Happy Dreaming everyone!

File this post under Spell Crafting 101–Banishing and Binding are generally the first things a magical practitioner learns how to do regardless of their path or preferred magical practice.  In fact, banishing and binding is so easily understood and readily practiced in our culture that even those who would claim that they absolutely reject any notions of magic routinely practice banishing and binding spells (New Year’s Resolutions are a prime example).  Because we’re still in the period of making resolutions and/or trying to find ways to make our resolutions stick, this is a great time to review the basics regarding banishing and binding.

First, and this is important in all spell casting, really think through what you are seeking to accomplish and what you are actually willing to do in order to accomplish that goal.  In my experience this is especially true when considering a banishing.  It is very easy in a fit of pique to say “Oh My Goddess, I’ve put on 20 lbs again!  That’s it!  I hereby banish junk food from my life!”  But do you really want to banish junk food from your life entirely?  Have you thought out what other areas in your life that such a banishment may affect?  What about those game nights with their requisite bags of chips, those birthday parties and other social gatherings with their cakes and cookies, the weekly office meeting with its trays of pastries?  Are you willing to give up your social life as well as your consumable delights in order to lose a few pounds?  Or do you need to refine your parameters to reflect what you are actually willing to do in order to reach your goal?

Perhaps banishing binge snacking or the eating of junk food in non-social gatherings combined with a binding to actively pursuing a more healthy diet and/or exercise regime would be the better choice of casting.  Successful spell casting relies upon the marriage of words and intent.  When the two do not match we will either circumvent and block the spell’s success through our unspoken desire for failure or we will allow the spell to succeed and become bitter and unhappy about the situations we created for ourselves.

The second important thing to remember about banishing and binding spells is that for these spells to be completely successful they must include both banishing and binding.  Too often in our spells or resolutions we try to focus on just one half of the equation even though we know intellectually that we have to have both.  We tend to be a bit better at remembering to include the binding after a banishing–it’s easy to remember that Nature abhors a vacuum and will fill any empty space that we create in our lives.  Anyone who has fought an addiction knows this firsthand–when I was quitting smoking, finding appropriate outlets for the hand to mouth/oral fixation that I had developed by smoking cigarettes for half of my life was a key element to my battle.  Fortunately that was understood by many of my friends and well wishers who offered substitutions ranging from the mundane (gum) to the erotic (use your own damn imagination) to the herbalist’s expert choice (licorice root, which I still use in almost every tea I make).

In my experience it’s much easier to forget to balance out our spells when we are focused on binding rather than banishing.  I believe this is because we live in a society that emphasizes accumulation.  We are taught at an early age that we should want and have every right to get the newest toys, the most toys, the best toys.  It isn’t until much later in life that we really start to learn that having means spending, that energy in a system is neither destroyed nor created.  So when we resolve to go to the gym every week or bind ourselves to a life of prosperity, we tend to forget that we need to let something go in order to bring the new in.  Where is the time to be spent at the gym going to come from?  What effort is required to gain and maintain prosperity?

Finally, remember to make your banishing and binding equivalent. Binding yourself to something that is unrelated or pales in comparison to what you are banishing still leaves a void which nature will fill for you with something you would likely not have chosen for yourself.  Similarly, when the focus is on the binding half of the equation, make sure that you are banishing something that is equivalent in type of energy and value.  For instance, in order to bind myself to a resolution to become a better read witch and get through some of those books that I’ve never opened, I have to banish my need to read Mercedes Lackey novels for the nth time as my way to relax before bed.  To make room in my life to write on a regular basis, I have to give up an hour of online gaming each day.

For all that I said at the beginning of this article that banishing and binding is spell crafting 101, it’s also one of the main tricks in any witch’s bag of spells and a major aid as we look to make both small and large changes in our lives.  What do you want to achieve and what will you give up to achieve it?

Yesterday I mentioned the big push of astro-energy that jumped us into the New Year.  Today I want to touch upon the other bit of astro-energy that is with us as we embark upon turning our resolutions into realities and that is the current retrogrades of Mercury and Mars.

To preface the article, I am not an astrologer (if you are looking for someone who really knows what they’re talking about when it comes to the stars, visit http://astrobarry.com/), but I do recognize that the movement of the stars and planets affect our lives.  Mars and Mercury are two of the three closest planets to Earth, so when from our perspective they are both moving backwards that seems to me to be a pretty clear message that we too should be looking backwards to find some clues about where we need to go from here.

I’ve also noticed that a lot of my friends and family are having a rough start to this year–missed connections, crazy weather, hard drive crashes, lost jobs, exploding energy plants, even just a general feeling of malaise seems to be stopping us all in our tracks.  How do we deal with these setbacks?  How do we reconcile them with a belief in a purposeful Universe that rewards positive energies?

I’ve written before about the Law of Attraction and how I think many of the people who teach it in our communities today do a disservice to their students by treating the Law of Attraction as if it is the Midas touch that turns everything to gold.  Personally I believe that the Law of Attraction is more about learning to find the positive aspects of everything that happens in your life, learning to accept life as it comes, and learning to live from a place of “No Regrets.”  That can be really difficult in the present when we are going through a tough time.  The present seems almost designed to make us question our choices and learn to regret them.  But before we drown ourselves in the ecstasy of “should have, would have, could have” let’s follow the lead of  the planets and really look back at our pasts to figure out when and we felt the way we want to feel and why.

One of my biggest goals in life is to live purposefully and make positive change in our world at large.  When I look back over my life to see when I felt most effective and guided by purpose, the first period I look to is when I was in college. I had grown up in a severely religious right home, and when my parents learned I was gay they disowned me personally and financially.  That experience was one of the most painful and traumatic events in my life, but not only did I still finish college in four years, I wrote articles that are still being published and republished to help LBGTQ youth and their families.  I found myself speaking and performing at national conferences and events.  I was interviewed and profiled in national publications.  When I look back at that time I am in awe.  How did I manage to raise and channel that much energy into positive change?

There are other periods of my life when I felt both effective and affective and all of them have been marked equally by pain and success.  My first (and to date only) tattoo marks a period of my life five years ago when I both lost my former husband and had breakthrough productions as both a performer and a director that have defined the course of my artistic career to date.  Even this past year, which was marked by amazing successes and development for the Circle of Dionysos, was personally and financially excruciating for my partner and I as we dealt with unemployment, eviction, and major health scares.  Frequently I had friends marveling at the creative life I was leading last year, and my response was that it’s easy to lead a creative life when there is no other choice but do nothing.

As I look forward to 2010 I do hope and pray that the current struggles ease and we all begin to make the sorts of breakthroughs that will assure our security in the long run.  But I also offer thanks for our hard times for they keep us truly alert and invested in both life and our communities.  The Latin root from which we derive the word passion is also the word for suffering, and it is from our passion that we truly derive fulfillment.

This class will meet for 10 weeks on Thursday nights starting at 7PM on January 14th in at a private residence in San Francisco (we will not have a class on February 11).  The class is offered on a “pay what you can” basis, and no one will be turned away for lack of funds.  Students in this class will be asked to buy/own a tarot deck in order to participate after the first class. For more information about or to register for this class, please email dkc@circleofdionysos.org.